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This practice is inspired by Moussa Dembele of Tottenham Hotspur, a master at playing with a player on his back and rolling into the space behind.
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Multi-outcome 1v1 which is very easy to set up and gives the players lots of goes at attacking and defending, and the opportunity for the coach to help the players with various detailed coaching points.
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Step towards the ball as it comes towards you letting the ball run across your body. Unbalance the defender and explode away. Use your body to protect the ball and make the disguise as big a possible.
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Drive through the middle of the ball with the laces. Get your body over the ball but do not follow through planting the non kicking foot next to the ball. Extension is to try and loft the ball.
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One of the more advanced ball mastery practices. Roll the ball and turn. Catch the ball with the other foot and roll out exploding towards it and accelerating away.
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A practice which does not involve touching the ball but a combination of a fake and body movements to lose the opposing player. Roll the ball ahead of yourself. Perform a big fake and step over the ball. Step the same foot back over the ball immediately and explode out in the same direction.
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This passing practice involves just 3 cones set 5 yards away from a wall. A series of exercises involving passing and receiving off the wall around and between the cones. A quality first touch is needed to get across the cones and make sure you use both feet. Increase or decrease the distance of the cones from the wall to make it more or less difficult.
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Set up a square with 4 cones with a target defender in the middle. Then attack the defender from all angles of the square performing a Ronaldo step over. Fake to come in and then cut away from the defender. When running straight at the defender cut away at angles to wards the corners of the square.
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Drive at pace towards the defender with a laces dribble. Perform a single or double Ronaldo exploding out at angle past the defender and then shooting on goal. Work on both feet and aim for the corners.
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